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Roberto Segate featured photographer on Duclerck erotic photography
magazine
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His inspiration comes from the Web and the writing of
Marquis de Sade, his canvas is the computer screen and
his digital paint comes from Photoshop’s toolbox.
Time to meet the creator of these dark complex images,
an interview with Roberto Segate.
How
would you personally describe the nature of your art?
The
work is, at its simplest, a statement conveying interaction
between different human relationships, but the work
can grow to demonstrate many emotions, love, care,
despair, hopelessness etc… It can be a simple
beautiful image or a complex disgusting image. Someone
once described my images: " All of your pictures
have a great melancholic almost post war Jewish camp
sort of feel to them and it evokes such an incredible
mix of emotions. I feel sad, determined, guilty, awed,
inspired all at the same time." That's one of
the closest statements to how I feel about my own
work. Sometimes it takes someone else to tell you
what you already know but you're so close to the work
you can't see it.
What
artists, art periods, are an inspiration for your
own work? And in what way?
This
is a big question! My work is quite diverse and I've
taken inspiration from everywhere. Particularly just
before I got into digital art and I began to see,
in the work of Catherine McIntire and Sandy Gardner,
the endless possibilities that the digital world could
bring. I was excited by these methods to create richly
layered composite image and I haven't looked back
since. I've also taken inspiration from graphic designer
Dave Carson as I have a strong interest in his typography
and work. I also spend a lot of the time traveling
the web, just picking up bits and pieces from here
and there, like the work of Jason Beam and Chad Savage.
Where
are your ideas coming from? Does your work reflect
your own erotic fantasies & desires?
Well,
there's a question! I spent a lot of time reading
the writings of the Marquis de Sade and that sent
me on a journey into the dark side, where I began
to think about about relationships, struggles, isolation,
torture and all that. No, this doesn't reflect my
own fantasies and desires, I'm happy with a night
in, a nice cup of tea and a piece of cake!
What
you biggest artistic frustration? Or main struggle
in your creation process?
Learning
how to use Photoshop. How do I use these tools to
help me make work that conveys what I'm thinking.
Yes, I've been frustrated, I've spent hours and hours
trying things only to delete them. But the important
thing is going through the process, I learn something
every time I delete something, a new technique a new
way to use a particular tool. Of course I suffer,
like most artists, from debilitating periods of nothing.
Nothing happening in my mind or on my computer. I
deal with it by battling through, working with images,
getting outside to take some photographs, listen to
music. Eventually I'll discover something which sets
me off on another journey.
Is
it easy to find places to display your work? Or is
erotic art still somewhat taboo in your country?
This
is easy, most of my work is unsuitable for public
display and I tend to set up private exhibitions,
submit the tamer pieces to magazines and books or
publish my own. You must remember we're British and
we don't like 'that sort of thing'. Actually that's
not exactly true anymore but my work can cause a few
raised eyebrows!
All
of the work displayed on duclerck.com comes from his
'Clamor and Smoke' series.
If you would like to see more of his work
visit his great website: http://www.robertosegate.co.uk
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